The Open Scroll

What I say to you, I say to everyone: 'Watch!'
Mark 13:37

Olympic Ceremony Symbolism - Part Four

Olympic Ceremony Symbolism: Part One | Two | Three | Four | Five | Six | Seven

In this fourth part of the series we continue to explore the amazing signs of the opening vignette of the London presentation recently broadcast to the world during the Beijing Olympics. These signs reveal a tangled web and an enclosing net, a foreboding picture of the reality of our time. What's covered here brings into the bright light of day how powerfully influential the subtle manner of presenting these signs through shadowed symbols actually is. As you consider what is brought to light you may discover you have been and are still being manipulated in ways that dilute your efforts to draw nearer to the Lord Y'shua and be free from the antichrist delusion and sorceries of Babylon the great. You may want to read that last sentence again.

Two signs will then be explored that are associated with the Olympic signs and relate to the politics of the presidential campaign. One keys off a subtly dramatized visual element and features Bill Clinton at the Democrat National Convention modeling the messianic pretender. The other, which will lead off Part Five, follows the trail of the Beijing Olympic number eight to the McCain-Palin sign of the renewal of the son of Cain. These signs are more than just loosely related. In them is validation of what has already been presented as the interpretation of the Olympic signs plus further expansion of detail. Insight is gleaned through these interconnected signs that exposes some of the dragon's present workings and agendas and the ultimate goal.

Let's pick up where we left off in Part Three.

The Londoner Viaduct

After Tayyiba receives the soccer ball she gets on the bus. The bus in this scenario represents the heavenly throne vehicle where the lawless one will display himself as being God. That heavenly vehicle will be a counterfeit of the one described in Ezekiel 1 and 10. The way she gets to the bus is so peculiar it should be obvious it was intended to be symbolic. It's a symbol I recognize! Praise the Lord! The way to access a heavenly realm from the earthly realm is in view. They dramatized a viaduct, a structure used for transportation that is a stunning and key symbolic element in the presentation. This modeling of the means of transition or ascension from the earthly into a heavenly realm also leads us to some very important associated signs. I'll elaborate on how I came to recognize it towards the end of this writing.

The five males on whose backs the girl stepped formed a viaduct. If you study the photo of the railway viaduct in West Sussex you can see the pattern created by the Londoners. The choreographed version is really quite brilliant. So, the structure formed for Tayyiba's transport to the bus symbolizes a viaduct. There are good reasons for this!

The viaduct is a fascinating structure that is found in the Bible in some very enlightening passages! It is the Hebrew word "mecillah," which means highway, staircase or viaduct. The mecillah bridges or spans heaven and earth and is intended for travel. Passage on it is strictly controlled. It is as an elevated crosswalk, a border crossing where one crosses over from one realm to another. Consider the following passage where the mecillah is featured in verse 20, translated, "From their courses."

Yes, indeed, this is supernatural angelic warfare. Star Wars! These stars are angels. The excerpt from the song of Deborah and Barak suggests they were either singing this song while caught up in some imagined or mythological fantasy, or they had experiential knowledge with spiritual insight into things we would do well to receive as a lesson. Evidence suggests the latter! Verse 20 from the Young's Literal Translation reads, "From the heavens they fought: The stars from their highways fought with Sisera." This stairway to heaven, highway or viaduct is real. It can also be considered as a portal, a stargate, if you will.

The mecillah was used by the stars as they fought against Sisera, which were the angelic forces of the true God. The same construct is used by the stars of the enemy. Remember, after Tayyiba receives the soccer ball, this is how she gets to the bus. It is important to grasp how the choreographed viaduct transit pictures the man of lawlessness utilizing the mecillah that is the same construct the stars used as they fought from heaven. The dragon and his forces know it well. It is by this means that his chosen agent, the beast, is apparently able to accomplish what we read in 2 Thessalonians 2:4.

This display will be quite convincing! As I wrote earlier, the bus boarded by Tayyiba represents a heavenly vehicle, abode, altar and temple, and this viaduct may be seen as validating that interpretation because you take the mecillah to get "there" from "here."

Beyond use of the mecillah in star transit and warfare, it is appointed for use by a people in days to come, a transfigured people who are granted access to the heavenly city! This, too, is modeled for us in the bus stop vignette through Tayyiba's travel on the choreographed viaduct as we see the acting out of a scene from Revelation 21.

The Modeling of Revelation 21

During the millennial Kingdom, when the King of Kings reigns from His throne, the mecillah will be the thoroughfare between the earth and the holy city, Jerusalem, which the Apostle John was shown coming down out of heaven from God.

Tayyiba carrying the soccer ball on the choreographed viaduct pictures a king of the earth bringing the glory of the nations into the city by way of the mecillah. The bus that is from one perspective London, capital of the UK-counterfeit is here the capital of the UK-genuine, the new Jerusalem. The prized and applauded soccer ball she carried is certainly the glory and honor of the nations, indicated by the commentator's identification of the girl from whom she received it. At her introduction, she was presented as having a composite identity, qualifying her to represent the nations and present their glory. "That is Erika Tham, a little Chinese, Canadian, Malaysian, Ukrainian heritage, representing the children of the world." The bringing of praise is worship, and this too is exhibited in the way the viaduct was choreographed. Consider how the men forming the living viaduct are on their hands and knees in a posture of prayerful worship, on their knees with heads bowed and hands clasped. Take a closer look! They are worshiping!

Consider the other elements in this passage and how they are represented in this scene. The nations are all still in view during this scene, being represented across the vast floor of the stadium, zoned into the five sectors representing all the nations of the world. You can sometimes see the Olympic flame in the background of the scene as the illuminating glory of God. The Belisha beacon is evident in the scene as "its lamp is the Lamb. The lighting of the scene is relatively dim - subdued - no sun or moon. The city has no need. What a fantastic representation!

This is another dual purpose presentation, with a "part and counterpart" pairing of perspectives. The genuine and counterfeit are overlaid, declared through the common symbols. The Revelation 21 modeling is of course, the genuine. The counterfeit is the modeling of 2 Thessalonians 2:4 where the king of the earth takes the dragon seed "glory of the nations" via the mecillah stargate portal into the unholy city, where the gods of Olympism abide and reign. As the five Londoner men form the mecillah in a posture of prayerful worship they exalt the false messiah above themselves by lending their backs, their strength, and worshiping as their dragon seed bearing messiah passes. The worship of this beast who ascends is a primary theme of Revelation 13!

Stairway to Heaven - Subliminal Connection

In the early '80s, the band whose song is the centerpiece of the London presentation was at the center of a controversy about subliminal messages. The controversy centered around the Led Zeppelin song, "Stairway to Heaven" and involved something called backmasking. Allusion to that song is made during the London ceremony by the forming of a stylized viaduct that is literally a stairway to heaven. The formation of this structure was used as a segue to the feature Led Zeppelin tune, "Whole Lotta Love." When the song "Stairway to Heaven" is considered in the context of where the allusion is made, the appearance of this symbolic element must be seen as a deliberate and very important association.

I already pointed out how the carnival style music was very similar in effect whether played forward or backward, which is easy to discern if you listen to the mp3 audio clip I made. The nature of the clip suggests backmasking, a recording technique where a sound or message is recorded backward onto a track that is meant to be played forward. The backmasked audio accompanying the visual imagery of the stairway to heaven is a two-fold linking that confirms to us that the allusion to this song is not imagined.

The Magical Phenomenon of Phonetic Reversal

To investigate the controversial claims about a message revealed in the playing of "Stairway to Heaven" backwards I recorded the verse that's at the center of controversy. When I played it back in reverse I had no difficulty perceiving the message. Listen and hear it for yourself. I found a version online you can listen to on YouTube, which I can confirm is presenting just what it claims to present. This video plays the verse forward then backward, showing the lyrics and an interpretation of the reversal. Led Zeppelin : Greatest Secret To read the lyrics of one verse and an interpretation of the reversal see the insert.

Since a message definitely appears when the song is played backwards, some questions beg to be asked. Was it intentional? If so, how did they do it, and why? If this wasn't intentional, how did it happen, and why? If you research the history of the song it becomes immediately obvious that this message that is evangelistic in nature and satanic in content arose in the context of pagan mythological influence, occult magical practices and satanic evocation. While human agencies were involved, reasonable explanations of the phenomena associated with this song point to the supernatural! The song's function as a tool for satanic discipleship was intentional. The dragon's breath is all over it. In discerning the motives of the human agencies involved I believe it is enough for us to know they were willing to participate at whatever level was necessary to accomplish the demonic feat, just as with the performers and others behind the Olympic signs. The Lord will judge the hearts and motives of all involved in due time with perfect justice.

According to some involved in popularizing the phonetic reversal phenomenon, the folks at reversespeech.com have this song at the top of a very relevant list and have the following to say about it. "If there was a top 40 of backmasked songs, then "Stairway to Heaven" by Led Zeppelin would be at the top. This song contains many backward messages. Here is one of them that occurs right at the very end of the song.. It says: "Play backwards. Hear words sung." The curious thing, however, is that there are no superimposed soundtracks on this song and the backward phrase is formed purely by the way the words were sung at the time the recording was made."

Those phrases do appear as they stated: Play backwards. Hear words/"why it's" sung. Indeed, as they astutely observed, it's a "curious thing" that there are no superimposed soundtracks on this song. How much more obvious can it be that a backwards message appears by supernatural design!

In matters of discernment, accuracy matters, so let's clarify the issue of whether "Stairway to Heaven" is actually backmasked. Technically, the phenomenon exhibited is more accurately what's referred to as phonetic reversal. The masterfully employed trick is that the backward message is inherent in the forward version without requiring any manipulation of the recording. So, technically, no backmasking exists. If you were to record anyone singing the lyrics of the song in the same way Robert Plant sung it, on playing it backwards you might hear the message about "sweet satan." Like I mentioned earlier, while human agencies were involved, reasonable explanations of the phenomena associated with this song point to the supernatural! The result is not humanly possible, but, not impossible, as attested to by the reality of the result. The dragon's breath is all over it!

When those involved with the production and promotion of the song are asked about their awareness of the satanic message content the typical response is denial. Maybe some or all weren't aware, but, really, the matter of asking such a question and expecting an honest answer seems to me rather silly. It's like asking the question, "Are you lying?" Would the answer vary whether they knew or not?

At this point, let's consider the context within which this dark miracle of the magical lyrics occurred.

Headley Grange and the Atmosphere of Influence

"Robert and Jimmy wrote this in an old mansion called Headley Grange in Liphook Road, Headley, Hampshire, where Led Zeppelin recorded most of their 4th album. It was a huge, old, dusty mansion with no electricity but great acoustics. Bands would go there to get some privacy and focus on songwriting. One night, in front of a roaring fire, Page strummed the chords to this for Robert. Plant wrote 90% of the lyrics right there in front of the fire. He has said in many interviews that he didn't seem to be writing, that something else was moving his pencil for him. Plant is a great admirer of all things mystic, the old English legends and lore and the writings of the Celts. He was immersed in The Lord Of The Rings around this time and many of his lyrics reflect that."
(From a SongFacts.com page for Stairway to Heaven)

If "something else was moving his pencil for him" the lyrics have to be attributed to "something else." Where did these magical lyrics come from? It was a collaborative effort. The "pencil moving" phenomenon is called automatic writing. "Automatic writing is the process, or product, of writing material that does not come from the conscious thoughts of the writer. Practitioners say that the writer's hand forms the message, with the person being unaware of what will be written. In some cases, it is done by people in a trance state. Other times the writer is aware (not in a trance) of their surroundings but not of the actions of their writing hand." The testimony of Robert Plant as to how the lyrics were written must be seen as an unambiguous declaration of supernatural authorship. The relationship between "something else" and Robert is the very kind dramatized during the London presentation in the siren and the mariner sequence. It's the toxic relationship between the gods and mortals, gods even who were masters of enchanted songs that seduce their listeners and bring them to their destruction!

How such a collaboration might have happened while Robert Plant and Jimmy Page were creating Stairway to Heaven at Headley Grange is easily discovered. Robert Plant is a pagan whose influences at the time included Celtic writings, Welsh mythology (including ancient poems about Merlin) and the high fantasy of the "Lord of the Rings." The author of that trilogy, J.R.R. Tolkein, was a passionate Roman Catholic traditionalist, emotionally invested in this religious bastion of Greek, Romish and Babylonian mysticism. Robert was in close partnership with Jimmy Page, who was assisting with, well, inspiration and atmosphere. Jimmy was heavily into the occult and was known as an experienced practitioner of black magic ritual. Insight into the kind of inspiration and atmosphere Jimmy provided can be seen in a quote from an interview with Peter Gabriel (Genesis): "We were working at Headley Grange which I felt was partly haunted by Jimmy Page's black magic experiments, and was full of rock and roll legend." Jimmy shared a "haunted" story about Headley Grange in an interview published in 2002. We can infer from all this that Jimmy sought the help of the gods and received it. This is the environment out of which came "Stairway to Heaven."

Jimmy Page and Aeister Crowley's Magick

I'd like to bring a few facts to your attention about Jimmy Page. This is just a brief collection of what has been extensively documented and broadly published over the years. These are the qualifications of the man carefully selected to represent the UK at the close of the Olympics in Beijing.

From the early 1970s to the mid 80's, Jimmy Page owned an occult bookshop and publishing house, "The Equinox Booksellers and Publishers" in Kensington High Street, London. Jimmy's respect for and dedication to Aleister Crowley's work is famous. This discipleship relationship is a key to understanding the dynamic of Jimmy's involvement in Led Zeppelin and his role in what he considered Led Zeppelin's outstanding masterpiece, "Stairway to Heaven." It's no secret that Jimmy Page was a student of Crowley's writings about magic, openly practicing his occult arts, following Crowley's example of drug use, which is common to occult ritual practitioners. Aleister Crowley was referred to in his day as "The Wickedest Man In the World."

Jimmy's occult publishing house published a special facsimile of Aleister Crowley's 1904 edition of "The Book of the Goetia of Solomon the King." During the same period that he owned the owned "The Equinox" he also owned the Boleskine House, the former residence of Aleister Crowley. Located in Scotland on the shore of Loch Ness, the house had become a well known Satanic church that was known as "The Toolhouse." The backward message of "Stairway to Heaven" appears to reference one of the haunted outbuildings on the estate, the "tool shed." ("There was a little tool shed where he made us suffer") Jimmy would have been no stranger to the concept of backwards messaging. The backwards playing of records was advised as training for magicians by occultist Aleister Crowley, who suggested in his 1913 book Magick (Book 4) that an adept "train himself to think backwards by external means", one of which was to "listen to phonograph records, reversed." (Wikipedia entry for Backmasking) The Crowley book Jimmy published, "The Goetia," serves as a key component of Crowley's highly influential system of "magick". Demonic evocation is among the subjects of the book.

Jimmy was an ardent disciple who practiced black magic to evoke demons. Should we really be surprised to discover a backwards message authored by a demonic entity in a work produced in that context? The conclusion quite easily reached is that the pencil-moving "something else" was invited, welcomed, and honored with a special song.

When the lyrics of "Stairway to Heaven" were being written, Robert Plant experienced the phenomenon known as automatic writing. This is related in principle to the Ouija board, a demonic gateway interface, something Aleister Crowley had great admiration for and which played a passing role in his magical workings.

Robert has stated in interviews that as he finished the song lyrics he got the impression he had just written "a wedding song." Indeed, the counterfeit wedding of the antichrist and his anti-bride is coming, as pictured near the end of the Olympic ceremonies during the scene with Placido Domingo and Song Zongying. The shadows of the refrain of this wedding song identified by Plant may well be intended for that event. For the bride and groom in view, it would seem to be "their song."

Anti-AntiChrist Legal Action and the Power of Musical Influence

The following is an excerpt from the Wikipedia entry for backmasking.

The 1983 California bill was introduced to prevent backmasking that "can manipulate our behavior without our knowledge or consent and turn us into disciples of the Antichrist". Involved in the discussion on the bill was a California State Assembly Consumer Protection and Toxic Materials Committee hearing, during which "Stairway to Heaven" was played backwards, and William Yaroll testified. The successful bill made the distribution of records with undeclared backmasking an invasion of privacy for which the distributor could be sued. The Arkansas law passed unanimously in 1983, referenced albums by The Beatles, Pink Floyd, Electric Light Orchestra, Queen and Styx, and mandated that records with backmasking include a warning sticker: "Warning: This record contains backward masking which may be perceptible at a subliminal level when the record is played forward." However, the bill was returned to the state senate by Governor Bill Clinton and defeated.

Were those who flagged the song and sought to combat backmasking deceived and misguided? Well, if backmasking is harmless and poses no such threat we really have to ask why this technique is employed here in the demonic soundtrack of the London presentation? The devil is many things but stupid is not among them. If backmasking had no effect, would effort be expended to include the element here, or block its restriction in 1983? If you can perceive that the dragon is behind the Olympic signs, the backmasked soundtrack of the London presentation speaks to the legitimacy of this device. Whether there is a verbal message carried in the backmasking I don't know, but the effect generated seems to me to function like a jamming device used to disrupt electronic communications, causing confusion and opening a demonic gateway. The "Stairway to Heaven" imagery employed to show how Tayyiba gets to the bus further validates the assertion made by those who opposed backmasking. Those who battled were guided by the holy spirit to expose this wicked device of the enemy of our souls. The Olympic signs probably include every trick in the book of subliminal discipleship ploys.

So, why is this song at the very center of controversy about music that "can manipulate our behavior without our knowledge or consent and turn us into disciples of the Antichrist"? Look at the posture of the Londoners forming the viaduct, prostrate and praying. See the model of the antichrist ascending to the heavenly throne vehicle. Keep this in mind as you consider this song, its origin and impact and why it is referenced in Beijing. You will see that the song itself functions as the title declares, as a stairway to heaven. It has served and continues to serve to disciple in the spirit of antichrist, preparing hosts to receive the dragon's seed.

The magical lyrics produced by the activity in Headley Grange that night is evidence that Jimmy's black magic "experiments" and Robert Plant's cooperative participation were an extremely effective collaborative effort. A powerful device for "manipulating behavior without our knowledge or consent" was about to be introduced into popular culture in a big way!

It's a matter of record that this song has ascended to the pinnacle of popularity. If this song's impact on society were relatively minor, it could perhaps be dismissed as unimportant, however, to say "Stairway to Heaven" was hugely popular would be to understate its impact. It is the song at the very top of many a list. Some time ago it was estimated that the song has been broadcast over 2,874 times, which amount to roughly 23 million minutes of airplay - almost 44 years! Add to that figure time spent playing recordings! Few songs in history have made such an impact!

What does it take to make such a hit? Apparently, supernatural help! Yes, the dragon's breath is all over it! Has this attempt to "turn us into disciples of the Antichrist" succeeded? Well, if the legacy of Led Zeppelin's influence on Western culture is an indication, I would have to say - yes. If the ready acceptance of the Olympic signs by the world in an overspreading antichrist delusion is any indication of the effectiveness of antichrist discipling devices, and I think it is, we have to admit that the weapons of the gods forged in the fires of hell are plenty effective. The "Stairway to Heaven" still works!

That song's effectual employment as an occult evangelism tool appears to be a bragging point of the London presentation. The Olympic ceremonies, with backmasked soundtrack, occult symbols and demonic themes compares to "Stairway to Heaven" as an occult evangelism tool. It can't be a coincidence that "Stairway to Heaven" is 8 minutes in duration. It is yet another 8 added to the collection. With the Olympic ceremonies and "Stairway to Heaven", I perceive that a like spell has been cast according to the manner of witchcraft. The covert messaging broadcast through the medium of the ceremonial pageantry has to be at least as powerfully effective as the backmasking that was attributed the ability to "manipulate our behavior without our knowledge or consent and turn us into disciples of the Antichrist."

You may have wondered if the Bible reveals anything of the power of music to influence the spiritual condition of a man. It does.

David's harp playing was according to the Spirit of the Lord and powerfully influential with regard to the evil spirit that came from God to Saul. The above verse implies David was aware of this influence. There is every reason to believe there is a converse principle that applies, where the playing of music effects an inverse process. Saul's problem wasn't a tendency to be a little melancholy now and then, it was a murderous spirit that terrorized him. Saul was known for his involvement with the occult, witchcraft and divination.

There's an obvious lesson here. Mind your music. Make your choices according to which direction you want to be influenced towards, as led by the holy spirit of Christ, not antichrist.

Sorceries - Over-the-Counter and Otherwise

This subject might not seem to relate to the Olympic presentation, but yet, it does as it's an extremely valuable insight integrated into the exposure of the operation of the subliminal vehicle.

Drugs were very important to Aleister Crowley for the workings of magic, and also to Jimmy Page. It's a popular opinion that "Stairway to Heaven" is a great song when you're straight but far better yet when you're high on drugs. In the Bible, the Greek word, pharmakeia (Strong's g5331) is found in Galatians 5:20 translated "witchcraft" (KJV) and in Revelation 9:21 translated "sorceries" (KJV). You may find "pharmakeia" familiar because this is where we get words like "pharmacy" and "pharmaceutical." Drugs are directly related to witchcraft and their use in the occult is common. They affect processes that are like the opening of a door or gateway for demonic spirits to influence, access and even possess a person. Drugs facilitate demonic activity.

The word "sorcery" in the following verse is "pharmakeia". Consider what is written about the destruction of Babylon the great.

All the nations were deceived by your pharmakeia. Hmmmmmm. The Heritage Bible translates the last phrase, "...because in your spell inducing drugs all the races were led astray."

Do you take drugs? No? I didn't specify illegal drugs, or as prescribed by a physician, or those available over the counter. Do you know anyone who does not take drugs? Almost everyone is taking drugs. Some may be taken for entertainment, others for help coping with emotional "issues" or to alleviate symptoms or pain, or with the intent to control some perceived bodily malfunction, or some other reason. Most of us take these drugs with the assumption that they are harmless, neutral with regard to matters of demonic influence. But, are they? How would we know? Would it say so on the package? "Warning," taking this drug may increase your susceptibility to demonic influence. Long term use may lead to unpleasant side effects such as but not limited to falling under satanic spells, demonic possession, and antichrist delusion. Destruction may occur. If a bustle occurs in your hedgerow while taking this drug, please stop taking it immediately and call your Pastor." That's almost funny, but really, it's just too serious. I have seen people undergo sudden changes "spiritually" when taking prescription drugs, and never in a good way.

If you look closely at the large drug companies and their practices, you'll see great evil and deception. If you find yourself struggling with faith and peace, less pharmaceuticals and not more is the better choice. Best choice: none. There's an obvious lesson here. Mind your drug use.

A few years ago I was in the doctor's office for a checkup and as the nurse was examining me she expressed some surprise. She told me it had become rare to find someone with clear eyes, calm, normal looking and acting, who wasn't all doped up and hyped up. And that was a few years ago. What's it really like now?

Here's something to think about. I've been addressing the antichrist delusion and the role of the media and drugs in the context of subliminal signs. Watch this video to see CNN flashing a subliminal ad for a pharmaceutical. Hey - isn't that supposed to be illegal? Sure, like that matters. Why would CNN and the drug company take such a risk? There's too much to gain! No effort is being spared to medicate the masses. Even our foods are drugged. Have you noticed the recent rise in medicating the world's population? Do you suspect "antichrist delusion" or "sorcery of Babylon the great" might have something to do with it? I do. "All the nations were deceived by your pharmakeia."

Reflection

These truths and facts brought to our attention through the subtle visual sign of the Londoner viaduct are truly remarkable! We've not yet reached the end of where this one single symbolic element leads us, but I want to take a moment to reflect upon how it illustrates several things. It is the mecillah that is a means of passage between this earthly realm and the heavens that has functioned in the past, functions in the present and in the near future will likely play a huge role as judgment is poured out in the earth. The antichrist beast will access this portal as he ascends to his appointed throne, and warfare will occur as the stars will again fight from heaven from their courses, the mecillah. This viaduct is also an allusion to the Led Zeppelin song, "Stairway to heaven," through which we learn much about satanic influence of the kind broadcast from Beijing.

With common sense and sober reasoning you must conclude that there are those who have known what is coming and have carefully and thoroughly prepared the way using devices of great effectual influence. They are not afraid to come forward with the evidence of their knowledge. They are so confident their plans will not be subverted they publish them spectacularly into the public domain. They know that even as these facts and truths are exposed, the success of their plan is assured. They have gambled on the effectiveness of their weaponry and the delusional state of the world's populace - and they have won. They not only have the knowledge and the moxie to pull this off, they have the funds, all the means. They are bragging about their ability to dupe the world and control its perception of reality. They are mocking those they manipulate. The dragon's plan for today has been in preparation from way before Led Zeppelin. What is now unfolding and is being exposed in the Olympic signs is the product of thousands of years of preparation.

You can take all this away from this insight into the meaning of the sign. Along with it, I hope you take one more thing with you. The Truth Himself. His purposes will ultimately be accomplished in all of this: Nothing more, and nothing less.

The Stairway leads to Bill Clinton

Bill Clinton has been observed over the last several years modeling the antichrist, doing and saying the right things at the right times in the right places. I've documented this trend since 2001. The historical fact that Bill Clinton was the agent responsible for kicking the legs out from under the anti-backmasking legislation in 1983 should speak LOUDLY to us, since he's the one implicated over and again in recent years as becoming that very character for whom the backmasking was declared to be a discipling tool! He's about to implicated again in the next section of this writing in the inexplicably enthusiastic reception he received at the DNC in August 2008! One of the links between that event and the Olympic signs is the very same dramatized "stairway to heaven" feature that points to him taking anti-antichrist action in 1983!

This seems to be an appropriate place to reference a video of Bill Clinton being interviewed on Larry King Live, September 2007. I verified the reversal personally and it is as the video claims. He is captured making some interesting statements by way of phonetic reversals. "I am Satan" "Afraid they can make out our voice" Hmmmmmmm. This is the same guy who killed the anti-backmasking legislation. Busted. The "I am Satan" reversal appears when he says, "my foundation gives me a platform and an organization to take these things on." The "Afraid they can make out our voice" reversal appears when he says, "still but I can't make a difference anymore, you know, like the current state of the Middle East peace negotiation or something." These come through just as plain as anything said in the forward direction. This is the guy who said in court those famous words, "It depends on what the meaning of the word 'is' is" during his 1998 grand jury testimony on the Monica Lewinsky affair. Hey, what if words actually meant something? Some still think they do.

The Assyrian is in the Land - Bill Clinton and the Temple of Zeus

When I was considering the curious feature of the London presentation where the soccer ball was being taken to the bus I was rather startled to recognize a symbol that has a personal story behind it. One day back in maybe '97 or '98, I woke up in the morning with a phrase running through my mind, "The Assyrian is in the land." I had no idea what it meant, but the phrase kept running through my mind throughout the day. When I returned home and got into the Bible to spend some time at the Lord's feet, He showed me "the Assyrian" as a symbol of a people who will dwell in the land in contrast to dwelling in Heaven. The related insight I received in the context was about the Hebrew word "mecillah," a viaduct.

The lesson about this viaduct was interesting, but nothing about it was directly connected to anything else the Lord had been showing me, and that fact seemed as peculiar as the manner in which the Lord drew my attention to it! I was, however, content that there was no further leading, so I wrote up a study on The Kingdom Viaduct and simply moved on. Early in 2008, many years later, I came to consider the lack of real closure on this matter, wondering why I don't recall scouring the news at the time to see who might have been visiting the local area, or the land of Israel, who might be considered the Assyrian. It may have crossed my mind at the time, I can't say because I don't remember. I never logged what day it happened so there's no record, no way to return to consider that angle. I perceive that the Lord had led me where He wanted me and I had followed to the end of it. That's all there was for me. Until now.

I'm telling you my testimony of how the Lord led me to this next sign so you know what I know, that the Lord has marked it for special attention. Years ago, I was led to the mecillah insight via the "Assyrian is in the land" sign. Now, I am led to the "Assyrian is in the land" insight via the mecillah sign - the symbol of the Londoners choreographed viaduct! This has come full circle, and now, there is closure! Thank you Lord!

When I recognized the choreographed viaduct and prayerfully considered the meaning it became very apparent I should look into what Bill Clinton was doing and what it meant that he was in the land. I know who to watch as the Assyrian. Since 2001 he has been the one the Lord has shown me, who does the right things at the right time, and this is once again the case. Bill Clinton is the Assyrian. (Don't get sidetracked into genealogy because it is not, at least not here, the point of this symbolic label.)

So, what does it mean that the Assyrian is in the land? Where was he and what was he doing? Bill wasn't hard to find. He was at that time in the news headlines, and two items relating to his location and activity were in the spotlight. Both link him to the Olympic signs and offer insight into the "in the land" element of the revelation. He was found in a venue suggestive of Olympus and Olympism receiving worship, looking as good as or better than ever!

Bill was in Denver at the Democrat National Convention. This venue was in the news because an elaborate stage constructed for the event resembled a Greek temple. The media made a huge fuss over this for days, calling it things like, "Obama Temple." No satisfying explanation for this choice of imagery was provided, but it is not too difficult to understand as we view it from the perspective of Olympic signs. While at the DNC, the spotlight was focused upon Bill Clinton because the reception he received when he came forward to speak was so far "off the charts" no one knew what to make of it! You can see from the video presented on the right that somebody took the opportunity to have some fun with it. What are we make of it? And what do we make of the Greek Temple? Let's consider how this relates to the Olympic sign that led me here.

The point of connection is the viaduct formed as Tayyiba was taking the soccer ball to the bus. With the meaning of that scene clearly established in Part Three as activity surrounding the revealing of the man of lawlessness (2 Thessalonians 2) we view the sign linked at this point in the same context. The Assyrian type references the man of lawlessness - they are one and the same. The scene at the stadium in Denver is a replay of the scene in Beijing. Is it the very fulfillment, a fore view, or perhaps, an echo? It can not be the actual event but it surely is an important modeling (which follows up what happened on April 20 / Aviv 13 during the Pope's visit, when Bill showed up to see him off). Let's compare the imagery of these scenes.

When Tayyiba received the soccer ball from Erika she held it up in the air and showed it off to the assembly of witnesses, who applauded in celebration. This represents the reception at the revealing of the man of lawlessness, who will have just received the dragon's seed anointing in the baptism of the unholy spirit of antichrist. As this messianic figure ascended up the viaduct, exaltation and worship was received as evidenced in the postures of those forming the viaduct. The exaltation and worship was replayed for our benefit when Bill Clinton was presented to the assembly on the third day hence, on the 27th of August, with wildly enthusiastic applause that lasted for over three and a half minutes! This is the same Bill Clinton who had been held in derision for several weeks prior to the convention. Less than that has killed others, but not Bill. There has to be an explanation for something so far "off the scale" as that, and now you have it! It's a sign that now has our attention.

When I found and watched video that showed Bill's approach to the podium I discovered a subtle indication of the plan for his future. His approach was made to the refrain of the popular Fleetwood Mac song, "Don't Stop" (See full video of the address on YouTube) The lyrics that greeted him are below.

Don't stop, thinking about tomorrow,
Don't stop, it'll soon be here,
It'll be, better than before,
Yesterday's gone, yesterday's gone.

"Yesterday's gone" and tomorrow will "soon be here" is a core message of the Olympic signs, as will be shown shortly as the meaning of the recurring number eight. I see the song as encouragement for Bill, whose tomorrow is perceived as being better than before in an allusion to his former presidential terms.

I think we can consider this sign, this "way-over-the-top" surprise of a reception as something of a dress rehearsal. Whether Bill was already baptized during the Pope's visit or not, I cannot say. Keep watching. Watch, and pray.

Let's consider some comparisons between the viaduct signs.

• The activity in Beijing was broadcast from an Olympic venue that has been shown to represent the dragon's lair. Based upon evidence from various sources over the years, Denver can be viewed as such a dragon's lair.
• Numerous facilities hosted the Olympics in Beijing, and so it was with the DNC in Denver.
• The games in Beijing were played with more than the victor's medals in mind. They were played for glory and honor, to stand atop the podium and represent the nation to the world. Likewise the games in Denver.
• The competitors, individually and as teams, competed in events of skill and strategy. This too was evident in Denver as a great struggle for ascendancy was on display, with skillful sparring in oratories planned by seasoned strategists as they competed for the minds and hearts of the people from whom these Olympians receive glory and honor.
• Olympic games are hosted in stadiums. From Beijing the centerpiece was the bird's nest, the Beijing National Stadium. The centerpiece venue chosen by the Democrat National Convention was Denver's famous Mile High Stadium.
• The Beijing viaduct scene was presented on the approximate level of the top of Mount Olympus, the home of the gods, represented by the slightly raised circular stadium where the "ancient Olympians" continued to pose. The Denver viaduct scene was presented in Mile High Stadium.
• At the closing ceremonies in Beijing a party was thrown celebrating an impending change of administration. So, too, Denver.
• The transition celebrated in Beijing looks to another at the end of its term in 2012. So, too, Denver.
• The scene in Beijing had all the symbols and history of the Olympics, as expected. What about Denver? The scene in the stadium had symbols of the Olympics, but they came as a bit of a surprise.

When the controversial set design that was the centerpiece for the activity in the DNC stadium is compared to the visual imagery of the London presentation we discover a common picture. The view is of the viaduct and the temple to which it leads, into which the man of lawlessness will ascend to the throne! In one scene, the temple is the bus, and, in the other, the controversial composite Greek temple. In one the viaduct is presented by the five Londoners, and in the other its the semi-circular terraced steps leading up to its stage.

The following verse reveals that the steps for "Solomon's Temple" are mecillah, the viaduct.

The word translated "steps" is "mecillah." It is the viaduct, alternately translated in this same verse as "terraces" (KJV) and "staircases" (YLT). The king was Solomon, and the house of the Lord for which he made steps was of course, the Lord's Temple in Jerusalem.

The two signs are as one, and they speak to us how the same gods of Olympism are behind them both! As the mecillah is a construct that bridges, we have through the sign of a viaduct a bridge between Beijing and Denver.

Let's take a closer look at the Greek temple built in Mile High Stadium. According to an analysis of the design found at redstatemobile.com the structure is mostly a composite of the Temple of Zeus at Olympia and the West Wing of the White House. The author of that page, who saw no connection with the Olympics, gives his view from a carnal political perspective. "Another part of this can be chalked up to a desire to do the minimum amount necessary to avoid the same accusations of presumptuousness that the fake Presidential Seal garnered. The pane coloring, the backdrop changes -- all are there to create plausible deniability. However, when placed side by side and compared architecturally -- and when the Obama campaign's presumptuous history is taken into account -- it becomes quite clear what this is: an attempt to craft an image of Barack Obama addressing the masses (and the nation) from the West Wing of the White House." Certainly, that's plausible.

We know why this was made to resemble a Greek Temple, to connect it to the Olympic sign. Yet, more than just that, it's a composite design, one that provides us with a link to the White House and exposes the association between the office of the presidency and Olympism. The gods of Olympism are involved in the political process. Those of you who are aware of the Masonic influence on this country, who recognize the Greek goddess Persephone, queen of the underworld, who stands on the dome of the Capital Building, this comes as no surprise. If you are emotionally involved in the political process and favor one candidate or party over another, I'm asking you to read the signs and take them seriously. This one is linked to Obama and Clinton, the next one I will address relates to the McCain-Palin ticket.

When Barack Hussein Obama theatrically ascended out of the stage in like manner as the harlot and the kings of the earth in the "Whole Lotta Love" scene, did anyone who watched get a feeling of deja vu? After Barack put on his "game face" and performed his oratory before the spectating masses from this Olympic-extension venue, while everyone waited anxiously for the "judges' numbers," for the pollsters and media commentators to report the ratings of his performance, did anyone sense something strangely familiar?

Perhaps above 90,000 people gathered in the bird's nest stadium on the 24th, while about 84,000 gathered on the 28th in Mile High Stadium. Multiplied millions watched the broadcasts live and the video feeds continue to be viewed by many more. (Both utilize the same new Microsoft Silverlight technology for presentation.) Have any among them perceived these signs? The evidence is appearing that a very small number have. Of those who have, I perceive that far fewer see them in the light of truth. The deception appears to be almost universal.

The simple message promoted by gods of Olympism through Obama is "Change We Can Believe In." It is a message of faith, and hope. We have seen in the related signs what changes they have in mind. That is not the change the Sovereign God who is Love wants for you and I!

The Olympic signs were not of Chinese invention but rather of the red dragon's, and, in scope, not regional but rather global. The bird's nest stadium was the location of the closing ceremonies on August 24th, but we see an extension of the signs of Olympism, observed after their official close as on the 27th with Bill's reception, and in remote venues such as the Olympic extension facility in Denver. The plans of the dragon and the gods of Olympism presented in Beijing are being implemented globally, and associated signs are being presented around the world.

This is the sign the Lord has emphasized by way of the heightened drama in revealing that the "Assyrian is in the land." These are truly amazing times! We are in perilous times. Watch and pray!

In closing, it seems pretty obvious that the messages broadcast from Beijing can't be interpreted as being particular to the Chinese or British, or even attributed merely to men themselves. The messages relate to the war between good and evil, as you might see it on the grandest and most simple scale. The message is that we are in the midst of a conflict the likes of which has not been seen for a very long time. It's time to choose sides.

Olympic Ceremony Symbolism: Part One | Two | Three | Four | Five | Six | Seven

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